Sean Gordon Murphy and Corin Howell Dive Into ’90s Monster Horror with Lake Totem

A legendary lake monster. A buried Indian burial ground beneath an old drive-in theater. A kid with a cat named Ripley trying to solve it all.

Sean Gordon Murphy, the artist behind Batman: White Knight and creator of The Last Driver, is teaming up with Corin Howell (Wonder Woman: Black, White, and Gold, Lilith) for Lake Totem, a four-issue horror miniseries launching from Image Comics in January 2027.

Set in the ’90s, the series follows a young girl named Nib who starts digging into clues about a lake monster after discovering a forgotten burial ground. With her best friend Elliot and her cat Ripley, she goes down a dark path of mythological conspiracy, the same one that destroyed her missing mother’s mind. For centuries, something has been luring children into the depths of Lake Totem.

“Lake Totem is one of the most personal stories I’ve ever written,” Murphy says. “And having my close friend Corin working on the art makes it that much more meaningful. If you like Halloween, horror, and ’90s nostalgia set in a creepy New England town, be sure to pick this up.”

Howell adds, “Lake Totem is definitely a deep dive into my love of creature horror.”

Think Paper Girls meets Creature from the Black Lagoon.

Lake Totem #1 hits comic shops January 6, 2027, with variant covers by Clay McCormack, Serena Bell, and Fero Pe, plus a blank sketch cover.

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Larry Fessenden Brings His Monsters Together in ‘Trauma, or Monsters All’

Larry Fessenden is uniting his classic monsters for what may be his final film.

Dark Sky Films just announced that *Trauma, or Monsters All* hits theaters November 4th. The film opens at IFC Center in New York, followed by a Los Angeles run at Lumiere Music Hall and a nationwide VOD release on November 24th.

The new film brings together the vampire, Frankenstein’s monster, and werewolf from Fessenden’s earlier work (*Habit*, *Depraved*, *Blackout*) into a single story. French actress Laëtitia Hollard plays Cassandra, a visiting writer researching George Washington Carver in the upstate town of Talbot Falls. After she publishes an exposé on the town’s dark history, the monsters emerge and the community’s buried trauma comes flooding back.

The ensemble cast includes Aitana Doyle, Addison Timlin, Alex Hurt, Barbara Crampton, James Le Gros, and Fessenden himself. The 119-minute film marks another collaboration between Dark Sky and Fessenden’s Glass Eye Pix, the production house behind *The House of the Devil*, *The Innkeepers*, and *Stake Land*.

“I’ve spent my career reimagining classic monsters because they reveal something deeply human about us,” Fessenden said. The film reportedly blends gothic horror with social commentary, tackling themes of memory, guilt, and identity.

IFC Center is also running a seven-film Fessenden retrospective starting October 28th in honor of Glass Eye Pix’s 40th anniversary.

This matters because Fessenden has championed independent horror for decades, both as a filmmaker and a producer who’s nurtured voices like Ti West, Jim Mickle, and Kelly Reichardt. If this is truly his last film, he’s going out swinging.

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New Zealand Body Horror Comedy MUM, I’M ALIEN PREGNANT Hits Digital Oct. 27

A messy millennial gets knocked up by an extraterrestrial, and nobody believes her.

MUM, I’M ALIEN PREGNANT, the feature debut from New Zealand directing duo THUNDERLIPS, drops on digital and VOD October 27th via XYZ Films. The film follows Mary, an underachieving twentysomething who accidentally becomes alien-pregnant and has to navigate skeptical doctors, a useless baby daddy, and her oversharing mother just to survive.

The film expands on THUNDERLIPS’ 2024 short HELP, I’M ALIEN PREGNANT, with Hannah Lynch (The Rule of Jenny Pen) returning to play Mary. She’s joined by Yvette Parsons (What We Do in the Shadows), Arlo Green (Shortland Street), and Jackie van Beek, co-creator of the Australian version of The Office.

MUM, I’M ALIEN PREGNANT premiered in the Midnight section at Sundance earlier this year and earned strong reviews, currently sitting at 94% on Rotten Tomatoes. It’s a wild mix of body horror and comedy that puts a millennial spin on alien invasion tropes.

For indie filmmakers working in genre, this is proof that a strong concept and fresh voice can carry a feature, even when scaling up from a short. THUNDERLIPS took a weird idea and ran with it all the way to Sundance.

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All-Girl Metal Band Takes On Vampires and Werewolves in Horror Film ‘Devour’

An all-girl heavy metal band fights for survival against vampires, cannibals, a werewolf, and a warlock in the supernatural horror film Devour, hitting select theaters October 9 and digital platforms October 13.

The film stars Heidi Shepherd, vocalist for metal band Butcher Babies, alongside KateLynn E. Newberry, Gus Langley, and Alex Lucchesi. After a disastrous gig leaves them stranded, the band encounters a woman in danger and gets trapped in a remote town controlled by a powerful warlock. To survive until morning, they’ll have to tap into dark powers of their own.

Director Scott B. Hansen, who previously made the festival favorite Bad Candy, went heavy on practical effects. The creatures were created by Wayne Anderson, whose credits include Stranger Things, IT: Chapter One, and Avatar: The Way of Water. Anderson and the OX FX team built the film’s vampires, werewolves, and cannibals using creature suits, prosthetics, makeup, and animatronics instead of relying on digital effects.

Devour has already racked up over a dozen festival selections and won Best Feature, Best Director, and Best Vampire Feature at the Freakshow Horror Film Festival. It also got a shoutout on Chris Jericho’s Talk Is Jericho podcast.

Hansen, who’s directed music videos for Meshuggah, Willie Nelson, and Motionless in White, brings his music roots into the film, where the band’s identity and the supernatural horror are closely intertwined. For genre fans looking for practical creature work and metal energy, this one’s a bloody ride.

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V/H/S/MIXTAPE Turns Sound Into Terror When It Hits Shudder This Friday

The V/H/S franchise is cranking up the volume. V/H/S/MIXTAPE, the latest entry in the found-footage horror series, drops on Shudder this Friday with a lineup that treats music and sound as weapons of pure fear.

This time, the anthology goes all-in on audio terror. Four segments explore how rhythm, noise, and music can haunt, possess, and destroy. Directors Ernest Dickerson, RZA, David Moreau, and Renee Zhan each bring their own spin on sonic dread.

Highlights include “Dance, Dance, Dance, Dance,” where a studio reboots a cursed puppet show with help from Jim Henson’s Creature Shop. In “The Music of Mr. Sze,” Dickerson follows a film student documenting a tormented musician’s reclusive life. RZA’s “Death Tone” centers on a sound engineer chasing her late father’s vision of the ultimate track. And in “Heartbeat,” a pair of YouTube urbex influencers get trapped in a decommissioned military facility used for sonic experiments.

Tying it all together, GWAR hosts an MTV-style wrap segment from hell, complete with music videos directed by Tobias Forge and Flying Lotus.

Early reviews call it tailor-made for October marathons, with Daily Dead praising its “amp-bursting bang” and SlashFilm noting the franchise has finally found its groove.

For horror fans ready to let sound mess with their heads, this one’s dialed in.

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Yûta Shimotsu’s Body Horror Satire NEW GROUP Hits Shudder Next Month

A cult-like mentality spreads through a Japanese high school, turning gymnastics routines into a dance of death. That’s the premise of NEW GROUP, a body horror film from writer-director Yûta Shimotsu that streams on Shudder starting November 6th.

The film follows high school student Ai as people around her become mindless followers capable of transforming everyday exercises into something deadly. Shimotsu, who studied mechanical engineering before moving into filmmaking, co-wrote the script with Momoko Sahara. The cast includes Anna Yamada, Yuzu Aoki, and Pierre Taki.

Critics are calling it more than shock value. Rue Morgue praised its “underpinning of social commentary,” while Bloody Disgusting called it “an incredible, unpredictable body horror masterpiece that doubles as an indicting satire of Japan’s society.” MovieWeb noted its “daring and utterly confident trip into the pitfalls of societal norms.”

Shimotsu made his feature debut with BEST WISHES TO ALL in 2023 after years directing commercials and shorts. NEW GROUP screened at Fantasia International Film Festival and Sitges before landing on Shudder.

At just 82 minutes, it’s a lean slice of social horror for anyone tired of conformity.

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Dark Sky Films Drops Blood-Soaked Single-Night Thriller HUMAN This Month

A woman home alone. A dating app mishap. And a whole lot of blood.

Dark Sky Films brings HUMAN to select theaters and VOD on October 23, following a West Coast premiere the night before at Laemmle Glendale. Director Matt Stuertz (Tonight She Comes, RWD) takes audiences through a claustrophobic nightmare that unfolds over one terrible evening.

The film follows Dani Ferris (Jackie Kelly), exhausted and alone, who just wanted a little late-night distraction before bed. Instead, she gets dragged into a supernatural horror show packed with bodily fluids and emotional chaos. Every relationship becomes a gamble. Every hour brings a new threat.

Stuertz keeps the tension cranked as Dani rides out a night of friends, lovers, enemies, guns, and things far beyond natural. The single-night structure keeps things tight. The practical effects keep things gross. Critics at Fright Fest and Obscura Film Fest have already called it relentless, vibrant, and stomach-turning in the best way.

The cast includes Brock Russell, Cecily Dowd, Jeffrey Decker, and Mia Sydney. David Neiss wrote the script.

For indie horror fans craving something unstable and hallucinatory, this one’s landing just in time for Halloween season.

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A Hollywood Hills Dream House Turns Into a Vampire Nightmare in “The Teenage Vampire”

A recent high school grad thinks she’s scored the perfect spot in the Hollywood Hills. Parties, romance, the whole California dream. Then she finds out her landlords are vampires, and her first party ends in a bloodbath.

“The Teenage Vampire” hits VOD and digital platforms October 27 via Lionsgate. The indie horror follows Sandra, who moves into what looks like a chic bungalow only to discover the ancient creatures living upstairs have plans that don’t involve welcoming her to the neighborhood.

The film stars Jazlyn Nicolette Sward alongside Kelly Lynn Reiter (“Deadlock,” “Mojave Diamonds”), James Chalke (“Renegades,” “Don’t Kill It”), and Courtney Akbar (“Boneyard,” “Clown Fear”). It’s directed with an 85-minute runtime and an R rating for language, bloody images, and the kind of teen behavior that tends to attract vampires.

Shot in 2022, the film arrives just in time for Halloween viewing. It’s priced at $5.99 to rent, $9.99 to own.

For indie horror fans, it’s another entry in the crowded vampire genre, but one that swaps castles and small towns for LA’s glittering hills, where even the undead want a piece of the view.

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Scott Snyder and Jock’s Wytches Gets Remastered Ahead of Amazon Series

A horror comic that helped define the genre this decade is getting the deluxe treatment just in time for its jump to TV.

Scott Snyder and Jock’s Wytches is returning this fall in an expanded, remastered edition from Image Comics. Wytches, Vol. 1: Pledged Edition collects the original six-issue run, the Bad Egg Halloween Special, material from the Image! anthology, and features recoloring by Matt Hollingsworth to match the upcoming Amazon/MGM Studios animated series.

“Wytches was a deeply personal book, born out of the real fears I had as an anxious parent,” Snyder said. “This is a must-buy for any Litchfield fans and those waiting for the TV show.”

The series launched in 2014 as a major Image Expo announcement and became one of the year’s top sellers, earning coverage from USA Today, The Washington Post, and Entertainment Weekly. The premise flips centuries of witch trial mythology on its head. Those persecuted weren’t witches, they were protecting a secret: real witches exist, and they’re ancient, deadly, and hungry.

When the grieving Rooks family moves to the remote town of Litchfield for a fresh start, something waits in the woods to greet them.

The Pledged Edition hits comic shops October 21 and bookstores November 17. For indie horror fans and anyone who loves creature features that dig into parental dread, this is essential reading.

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“The Town That Takes” Brings the Roanoke Mystery to Theaters This July

The-Town-That-TakesA supernatural horror thriller built around one of America’s oldest unsolved mysteries is heading to theaters next month.

Atlas Distribution Company picked up festival favorite “The Town That Takes” and will release it in select theaters across the top 20 North American markets starting July 10. The film takes the only clue left behind after the Lost Colony of Roanoke vanished in 1590, a single carved word, CROATOAN, and imagines a terrifying answer.

Director Britt Bankhead, who co-wrote the screenplay with Jon Blaze, stars alongside Miles Mussenden (Doom Patrol), Mike Markoff (Hit Man), and Grace Patterson (Slotherhouse). The story follows Dean Richardson, a troubled Army vet trying to reconnect with his estranged 12-year-old son after his ex-wife’s death. When they stop in a remote town haunted by whispers of Croatoan, a brutal murder puts Dean in the spotlight and his son suddenly disappears.

What starts as a murder investigation turns into something far more sinister as unexplained deaths and impossible encounters pile up across the region.

“Britt Bankhead took one of the oldest unsolved mysteries in American history and built a supernatural thriller that gets under your skin,” said Harmon Kaslow, President of Atlas Distribution.

For indie horror filmmakers, this is another example of festival buzz translating into theatrical distribution, proof the theatrical market for genre films remains alive.

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